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None of this makes any of the participants “gay.” Truly. They paint graphic pictures for their teammates of them having sex (with a woman, of course always with a woman).ĭon’t believe me? Just ask Anthony Davis. They talk explicitly about what they do sexually, what they like. They roughhouse naked in the locker room. They measure themselves against other men. Men of all sexual orientations look at each other’s penises in the shower. What might be deemed “gay” in West Hollywood or the Castro is just your average afternoon post-practice ritual for so many straight guys completely comfortable with their own bodies and the bodies of their teammates and opponents. Of course it’s more than that.īut what gets so often lost is that the opposite is also true: Grabbing another guy’s nether regions is about a lot more than being “gay” (so please, forgive the shorthand). I’ve been out for 20-plus years and with my husband for exactly 62.963% of that time. Of course being gay is a lot more than grabbing another guy’s nether regions. Some people chuckled at the grabby player “getting caught ” Others were horrified and sounded the “sexual assault” alarm.įor me it was just straight athletes going gay. Booster loved the unpredictable nature of the show, which routinely hosted local comics but was home to the occasional celebrity drop-in, including Robin Williams.When a video close-up of Clemson defensive lineman Christian Wilkins grabbing the ass and genitals of an opposing Ohio State player surfaced last weekend, it got a panoply of reaction. He says his favorite show to do in Chicago was Entertaining Julia, a weekly showcase at Town Hall Pub in Boystown. In addition to hanging out at both Montrose and Hollywood beaches - mini versions of Fire Island, he says - he spent two years grinding shows as a stand-up comic and actor. Yes, there’s toxicity there, but if you go with the right people, you can overcome that and experience something really transformative.”īooster’s own transformation was accelerated by Chicago.
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“You don’t realize the weight you carry around with you in the normal world until you’re in a place like Fire Island where it’s suddenly lifted and you’re free to be as gay as you want to be with your friends. “ is a tangible energy of everything it meant to gay men a century ago versus what it means to us now,” Booster says. I think that’s indicative of how diverse even our intersectional identity is.”
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“And what I love about our collaboration is that, yes, like, we share a lot of things, but we also have very different perspectives on things.
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“It was great to work with another queer Asian American creative,” Ahn adds. “I hadn’t gone out to a club to dance, drink and be stupid with my friends, and I loved being able to revel in that within Joel’s script.” “Reading something like Joel’s script, that celebrates queer Asian American friendship, was so exciting to me,” he says. The cast includes other up-and-coming names in comedy (Matt Rogers, Torian Miller) in addition to the longtime comedy luminary Margaret Cho.ĭirector Andrew Ahn, whose resume includes the independent features “Spa Night” and “Driveways” and an episode of the FX docuseries “Pride,” received the script for “Fire Island” a year into the pandemic, a time he admits was pretty isolating. The pair attempt to ingratiate themselves with the Fire Island elite for the sake of finding love and making lasting memories. Booster and Yang play fictionalized versions of themselves - best friends embarking, with a small entourage, on their annual Fire Island vacation getaway. The plot of “Fire Island” begins as not too far-flung a concept for a romantic comedy before diving into Shakespearean terrain.